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Softbox Setup Help Page

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HelpHelp with Softboxes • Help with Studio Lighting Setup Diagrams • Help with Portraiture • Help with Lights (on another page)

One of the most popular inquiries we receive are related to assembling softboxes; so here's where you can get some help:
Just click on any image to bring up the full-size document in a new window. Note: titles do not list all models covered by instructions.
Britek PA9014 Softbox
Britek 3924s Softbox
Fluorescent Softbox
Britek 3460/80+
Britek 9014+
Britek Softbox w/pix
3429s Deluxe Ring
PBL E-Z Softbox - Square
PBL E-Z Softbox - Octagonal
Don't miss the great video on installing both umbrellas and softboxes on the great new VL1K-1000! Finally, a powerful 1,000W Continuous light with Variable-Power Output!

AND it can be used with ALL Cameras! Hot damn, boys & girls, ya gotta look at it!

[Thanks, Steve!]


Britek 3429
How to set up and install a Softbox on VL1K-1000/QL-1000 Lights
Also useful instructions for most other softboxes, as well. Check it out.
See more softbox assembly videos below: FloFx Softboxes



Lots more Softboxes and Videos are just a little further down the page

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Help with setting up your studio lighting equipment • A brief portraiture discussionUnderstanding Light

More softbox help is coming every day...
PBL E-Z Fluorescent Softbox Assembly Britek Flora Hex Softbox Flora Easy Square Softbox Lighting Setup Diagrams
PBL Flo-Fx 4 and 7 Softbox Assembly Video PBL VL1K Vl-1000 Softbox Assembly Video
My Beautiful Blond Bitch
Our beloved Mango. May her kind, gentle, loving soul rest in peace.

Have patience, my little angel, have patience. I'm coming, I'm coming.



Setup: Here's a standard lighting diagram that works for portraiture as well as other photographic subjects. A good starting point, refine your setup as your needs dictate. Here's a great image that's easy to create - even if you only have ONE light! Check it out.

For portraiture, we want to light one side of the subject's face brighter than the other, to provide some depth and modeling (modeling means some shadows) on the other side of the face. See the setup diagram below, on the left. See our full Portraiture Guide.
Realize this: You don't need an expensive camera and thousands of dollars worth of studio lighting equipment to make a great picture! You just need to know how to light your subjects; and a simple camera and one single light can make a dynamic and arresting image (like the one above). See "A Quickie Portrait Guide" below.

When you only have one light (which is just fine to start with) you'll want to use a reflector (just a blank, white, piece of cardboard poster board, around 18" x 24"; I got mine for $1.19 at a local drug store) to "bounce" some of the light back onto the shadow side of the subject's face. Here's a diagram of a really simple, easy setup - and it will wow your subjects when they see the results.

Portraiture: What makes a Good Portrait? Go to our full Portraiture Guide

Why does the photo of the young girl catch our eye? What is it about this picture that makes it any better than any snapshot we might take of a child, relative, or friend?

First, it's well exposed; secondly, look at the modeling on the face of this girl ("Modeling" is PhotoSpeak for the highlights -light areas- and shadows -dark areas- that fall upon the subject, giving it the depth and texture necessary for professional results); half of her face is highlighted (lighted), and the other half is in shadow (relatively speaking). Frontal lighting, coming from the camera's location is the worst possible way to light a good portrait (for most purposes).The light in this picture is coming from the side (our right, the subject's left); the shadow (left) side is receiving about 25% of the light the highlight (right) side is receiving. This, unlike the "flat" and unappealing look we find in most front-lighted faces, gives the image a three dimensional look, as well as making for an interesting shot. Third, a model looking directly into the lens gives the impression that she's looking directly at us. In young women (or men), this is very often a "sexy" or "intimate" look - a look that attracts the eye and attention of many viewers. And finally, notice what is not included; there's nothing in this image to distract the viewer! Notice how the background has been allowed to photograph as solid black, eliminating any distractions from the background. Notice also how tightly this image is cropped. There's nothing in the image to distract us from the subject. And all it took was a single light and a $1.19 piece of white posterboard. From now on, every time you see a picture you like, start noticing how it was lit. But it is vitally important for the photographer to realize that ... continued below

*It may come as a surprise to some folks, but images of attractive young ladies appeal to women almost as much as they appeal to men. In numerous tests, women were much more attracted pictures of other women than they were those of men. Consequently, our society is filled with images of beautiful women. Thank goodness.
See our full Portraiture Guide

Important to know

It is important to realize that light itself is the paintbrush and the pen of the photographic artist. Light itself is the language and and the music of photography; light is the inspiration and the beauty; light itself is the the tool that photographers' use to create stunning images.

No less than a brush in the hand of Rembrandt, or a perfect line from the pen of Shakespeare, LIGHT is to the photographer! A tiny shadow placed here, a spot of light there, a slight movement of the head to the left, the eyes directed just a bit downward, a gold umbrella to warm up the paleness, a softbox to hide the wrinkles.... LIGHT is the nectar and ambrosia of the photographer! Light and it's beloved opposite, shadow, are the food and drink the photographer needs to nourish his/her creativity.

The biggest misconception among amateurs is thinking they need an expensive camera and thousands of dollars worth of costly studio equipment in order to make great pictures. Not so! Fabulous images have been made with little more than a cardboard box with a pinhole in it! The camera is not very important at all. Virtually any decent camera will do just fine to start with. And even the cheapest light you can find will work just as well as the most expensive ones. It is where you place the light and where you place the shadows that's important. It is how you modify the light that's important. Work with light. Love light. Befriend shadows. Use them. Use them wisely, and you will produce masterpieces. Well, enough of that. Here in my eBay listings (and on my web site) you will find the tools you'll need to make fabulous images. The rest is up to you.

The photo above is called "The Leap of Faith" and is one of the most universally-applauded photographic images of the 20th century. Do you think he made it over the puddle? The wonderful thing about this picture is that we will never know! The beauty is in the uncertainty. The action is captured at the peak of its energy. How much less of an image it would be if it showed the jumper before he left the ground. Or after he landed - either in the puddle or over it.

Notice also how the photographer framed the shot, notice how he made sure to shoot from the side of the picture so the reflection of the jumper fell between the jumper and the camera position - if he shot from the other end of the street, the jumper's body would obscure the reflection in the puddle. Every choice the photographer makes impacts the quality of the image. Think about what you want before taking a picture. Position your subject where it will make the result better. Go read m "Portraiture Guide" and make light your friend!

Still under construction! More coming soon....

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