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Softbox Setup Help Page
| We're revising and updating the web site, so things are chaotic, and everything is hard to find, so visit our Start Here page to find what you need. Oh, one more thing: we're giving away valuable digital goodies Free... no purchase required, 100% free. Why? Like what? read on |
| One of the most popular inquiries we receive are related to assembling softboxes; so here's where you can get some help: | |||||||
| Just click on any image to bring up the full-size document in a new window. Note: titles do not list all models covered by instructions. | |||||||
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Britek PA9014 Softbox
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Britek 3924s Softbox
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Fluorescent Softbox
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Britek 3460/80+
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Britek 9014+
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Britek Softbox w/pix
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3429s Deluxe Ring
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PBL E-Z Softbox - Square
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PBL E-Z Softbox - Octagonal
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Don't miss the great video on installing both umbrellas and softboxes on the great new VL1K-1000! Finally, a powerful 1,000W Continuous light with Variable-Power Output!
AND it can be used with ALL Cameras! Hot damn, boys & girls, ya gotta look at it! [Thanks, Steve!] |
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SALES not to miss: ChromaKey Muslins on sale • Digital backdrops on sale • Background support sets on sale • FREE digital backdrops!
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| Setup: Here's a standard lighting diagram that works for portraiture as well as other photographic subjects. A good starting point, refine your setup as your needs dictate. | Here's a great image that's easy to create - even if you only have ONE light! Check it out. | ||
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![]() For portraiture, we want to light one side of the subject's face brighter than the other, to provide some depth and modeling (modeling means some shadows) on the other side of the face. See the setup diagram below, on the left. See our full Portraiture Guide. |
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Realize this: You don't need an expensive camera and thousands of dollars worth of studio lighting equipment to make a great picture! You just need to know how to light your subjects; and a simple camera and one single light can make a dynamic and arresting image (like the one above). See "A Quickie Portrait Guide" below.
When you only have one light (which is just fine to start with) you'll want to use a reflector (just a blank, white, piece of cardboard poster board, around 18" x 24"; I got mine for $1.19 at a local drug store) to "bounce" some of the light back onto the shadow side of the subject's face. Here's a diagram of a really simple, easy setup - and it will wow your subjects when they see the results. |
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It is important to realize that light itself is the paintbrush and the pen of the photographic artist. Light itself is the language and and the music of photography; light is the inspiration and the beauty; light itself is the the tool that photographers' use to create stunning images. No less than a brush in the hand of Rembrandt, or a perfect line from the pen of Shakespeare, LIGHT is to the photographer! A tiny shadow placed here, a spot of light there, a slight movement of the head to the left, the eyes directed just a bit downward, a gold umbrella to warm up the paleness, a softbox to hide the wrinkles.... LIGHT is the nectar and ambrosia of the photographer! Light and it's beloved opposite, shadow, are the food and drink the photographer needs to nourish his/her creativity. The biggest misconception among amateurs is thinking they need an expensive camera and thousands of dollars worth of costly studio equipment in order to make great pictures. Not so! Fabulous images have been made with little more than a cardboard box with a pinhole in it! The camera is not very important at all. Virtually any decent camera will do just fine to start with. And even the cheapest light you can find will work just as well as the most expensive ones. It is where you place the light and where you place the shadows that's important. It is how you modify the light that's important. Work with light. Love light. Befriend shadows. Use them. Use them wisely, and you will produce masterpieces. Well, enough of that. Here in my eBay listings (and on my web site) you will find the tools you'll need to make fabulous images. The rest is up to you. |
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The photo above is called "The Leap of Faith" and is one of the most universally-applauded photographic images of the 20th century. Do you think he made it over the puddle? The wonderful thing about this picture is that we will never know! The beauty is in the uncertainty. The action is captured at the peak of its energy. How much less of an image it would be if it showed the jumper before he left the ground. Or after he landed - either in the puddle or over it. Notice also how the photographer framed the shot, notice how he made sure to shoot from the side of the picture so the reflection of the jumper fell between the jumper and the camera position - if he shot from the other end of the street, the jumper's body would obscure the reflection in the puddle. Every choice the photographer makes impacts the quality of the image. Think about what you want before taking a picture. Position your subject where it will make the result better. Go read m "Portraiture Guide" and make light your friend! |
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